For over 20 years, I believed that the best live version of Oasis' Champagne Supernova was from the International Cardiff Arena in 1996. It features a dynamic tempo, a clean and full sound with no dull parts, the wah-wah effect, and the tuned-down flanger effect at the end.
However, after discovering the Budokan 1998 version, I find my convictions wavering. Some notes feel unnecessary—the bends at 7:30 and 7:40 aren’t great—but the tempo doubling at 7:55, while typically a cheap trick, creates an incredible ending I had never heard before. It lasts almost 12 minutes. F**king biblical.
From now on, I will spend the rest of my life wishing for a perfect blend of the two versions.
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